Reliefs 2019 - 2023
Reliefs 2018 - 2021
Reliefs 2012 - 2015
Peintures
Murals
Objets
Dialogue,
peintures et estampes
Reliefs 2019 - 2023
Reliefs 2018 - 2021
Reliefs 2012 - 2015
Paintings 2019 - 2024
Paintings 2017 - 2019
Paintings 2008 - 2012
Wall painting 2017 - 2019
Objects 2005 - 2006
Dialog 2000 - 2002
Reliefs, 2019 – 2023
In the Reliefs series I observe our mechanisms of perception by questioning the border between the flat image and the volume.
Our way of perceiving space and depth, which seems so natural to us, is in fact a result of our very first sensory experiences, and so a learning effect.
An attempt to play with our visual habits led me to replace the usual support for my paintings (paper or canvas) with a wood board. I literally deepened the dissociation of the background and the form of my images, cutting out the form from the background and hanging it a few centimeters from the wall. The forms hover on the wall which in turn becomes the new background.
In the recent Reliefs I fixed two pieces of wood board one on another. Thanks to an optic illusion effect its form refers to a fully 3D form object seen in perspective, while, in fact, it is flat. The traditional linear perspective, which has been slightly distorted, causes a visual game, questioning the spectator about his perception.
The thickness of a few centimeters places the questioned entity in the category of volume. However, it can be interpreted both as a three-dimensional object, and, at the same time, as an image of the object in question.
























